.

The Taarab music and improvisation take stage in the 36th Bienal de São Paulo Invocation in Zanzibar

<div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfey8a4RdiEKqPQU2mYh2UjMgM3NYohhqrdUp09kL-oLu8-OYmBYN21EwH9zO1IraMNv6wUQO68TStTCdLn8hNmZ6IEBsItzhbdzSLsj6IxI2Hka_clU_C9z9jFh-lqWh3vq3rggCOVTfU2EqDW8LitAuo9eHbsk2N6DG_h3b4Z6GEUjz_jn8flS1_PWO/s1080/lo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="907" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfey8a4RdiEKqPQU2mYh2UjMgM3NYohhqrdUp09kL-oLu8-OYmBYN21EwH9zO1IraMNv6wUQO68TStTCdLn8hNmZ6IEBsItzhbdzSLsj6IxI2Hka_clU_C9z9jFh-lqWh3vq3rggCOVTfU2EqDW8LitAuo9eHbsk2N6DG_h3b4Z6GEUjz_jn8flS1_PWO/w372-h320/lo.jpg" width="372" /></a>The 36th Bienal de São Paulo continues
its global journey with its third Invocation, titled Mawali–Taqsim:
Improvisation as a Space and Technology of Humanity</div>

This event it will take place in Zanzibar on February
11th to 13th, 2025. The Invocation will be hosted by Maru Maru Hotel and
Golden Tulip Stonetown Boutique, together with the Dhow Countries
Music Academy (DCMA) as a partner institution.

This
 program it will  delves into the multifaceted world of Taarab
music, exploring improvisation as a space and technology of humanity. The
program is also inspired by the concept of the 36th Bienal de São Paulo,
entitled Not All Travellers Walk Roads – Of Humanity as Practice, which
draws from Afrobrazilian poet Conceição Evaristo’s poem “Da calma e do
silêncio” [Of calm and silence].

Under
the curatorial leadership of Prof. Dr. Bonaventure Soh Bejeng Ndikung,
alongside co-curators Alya Sebti, Anna Roberta Goetz, and Thiago de Paula
Souza, co-curator at large Keyna Eleison, and strategy and communications
advisor Henriette Gallus, the 36th Bienal explores the idea of humanity as a
practice rooted in shared histories and cultural intersections.

The
Invocation in Zanzibar focuses on the philosophical and artistic
dimensions of Taarab, a genre that epitomizes the island’s cultural hybridity
and resonates as a profound medium for expression, sentiment, and resilience.
Improvisation, a fundamental part of Taarab music, offers a profound metaphor
for human adaptability and interconnectedness.

Echoing
the complexities of Zanzibar’s history – a crossroads of African, Arabic, Asian,
and European influences – the third Invocation offers the possibility of
reflecting on nuances and accents of humanity on an island that is a point of intersection
of multiple cultures,  philosophies and
sciences.

In
the words of Djibril Diop Mambéty, art serves as “the grammar of our
grandmothers,” and Taarab embodies this ethos through its eclectic blend of
musical instruments, poetic lyrics, and improvisational techniques. Zanzibar’s
cultural tapestry, reflected in its language, Swahili, and its emblematic
Taarab music, provides the setting for this Invocation.

In
preparation for the 36th Bienal de São Paulo – Not All Travellers Walks
Roads – Of Humanity as Practice, and to introduce and tune in to the
conceptual thread, a series of public programs called Invocations takes
place in four different cities around the world: Marrakech; Guadeloupe;
Zanzibar; and Tokyo. <o:p></o:p>

Each
edition it will have the exhibition concept of Humanity as Practice from a
specific local context, reconfiguring and expanding it through live events and
a publication.

The
aim of the Invocations is to expand the vocabulary of humanity, at
points of intersection between different longitudes and latitudes. Either if
humanity were a verb, how would it be conjugated in these different
geographies? The Senegalese director Djibril Diop Mambéty once described film –
and therefore art – as “la grammaire de ma grande mère” [my grandmother’s
grammar], alluding to the familiarity of art, the intergenerational aspects of
artistic practices, the colloquialism of art and art/artistic practice as
grammar. The four Invocations will explore how artistic practices around
the globe help to situated and to enrich and expand the grammars.

Either
Ms. Aisha Bakari, known professionally as DJ Hijab, is a trailblazing Tanzanian
music producer and DJ celebrated as the first female DJ from Zanzibar. Dj Aisha
was born in 1995 on Pemba Island, she grew up in Unguja, where her passion for
music was ignited at an early age. Deeply inspired by the rhythms of Taraab
music she loved as a child, her journey into the music world would later make
her a pioneer in the industry.

In addition to that Mr.Bernard Ntahondi is a Tanzanian professional
specializing in film curation and heritage management. He is currently a
curator at the Dar es Salaam Center for Architectural Heritage, where he
integrates his knowledge of architecture and history into his film-related
endeavors and so forth.

Bonaventure Soh Bejeng Ndikung born in 1977 in Yaoundé, Cameroon,
Ndikung is the chief curator of the 36th Bienal de São Paulo, director and
chief curator of Berlin’s Haus der Kulturen der Welt (HKW), founding director
of SAVVY Contemporary, and also a professor at the Weißensee Academy of Art
Berlin.

Among of them the DCMA Young Stars, is among
the project which
composed of students from Zanzibar’s Dhow Countries Music Academy (DCMA). The
DCMA Young Stars program was established to perform at Alliance Française’s
world music festival at Dar es Salaam. This band features a diversity of styles
and instruments and performs unique combinations of taarab, dance, African and
Latin genres.

Neverthe less Keyna Eleison  is curator, writer, researcher, and Griot
heiress. Born in Rio de Janeiro, Brazil. She was part of the African Heritage
Commission for the Cais do Valongo UNESCO World Heritage designation and
managed Rio’s cultural centers (2015–2017). Former pedagogical coordinator at
Escola de Artes Visuais – Parque Lage (2018–2019), curator of the 10th SIART
Biennial in Bolivia, and artistic director of MAM Rio (2020–2023). Curator of
the first Amazon Biennial (2023). Works in the development of exhibitions and
meanings of works of art and artists, guiding artistic processes, curating
exhibitions, teaching art, with the precedent of coordinating art education and
storytelling reinforcing the relationship of passage and capturing oral
knowledge.

Mr.Khamis Muhamed Juma a highly accomplished artist, curator,
and cultural advocate from Zanzibar. With over three decades of experience in
fine arts, cultural management, and community development, he has dedicated his
career to preserving and promoting African and Swahili art forms through
education, exhibitions, and creative projects.

Therefore, Ms.Mariam Hamdan an accomplished journalist,
musician, and cultural advocate. After retiring, Maryam used her pension to
purchase musical instruments, often second-hand, and became the first woman in
Zanzibar to play the qanun instrument publicly. In 2009, she founded Tausi
Women’s Taarab (meaning "Peacock"), Zanzibar’s first all-woman taarab
orchestra. This group delivers performances of Swahili taarab music,
revolutionizing a traditionally male-dominated art form. Maryam also serves as
the Chairperson of the Taarab Association, which includes seven taarab groups
in Zanzibar.

In addition Mr.Mohamed Ameir Muombwa as accomplished media
professional, government advisor, and social development advocate with a career
spanning over three decades in public service and journalism. His extensive
experience in government, media relations, and community development has
positioned him as a key figure in promoting Zanzibar’s cultural and political
narrative.

Among the famous artist and taarib singer Mr.Mohamed
Ilyas is one of
Zanzibar’s most iconic taarab musicians, known for preserving and enriching the
islands' cultural heritage. His music blends the Arabic roots of taarab with a
distinctly Zanzibari style, often incorporating European-inspired melodies into
his songs.

Ms.Rukia
Ramadhan is among the celebrated Zanzibarian singer and musician whose journey
into the world of Taraab music reflects her lifelong passion and dedication to
the art form. Together with Ms. Siti
Muharam She reimagined  as
she have  been formal court music into a
private form of improvisation, laced with a spirit of inclusivity that combined
Arabic and Swahili lyrics. In doing so, she paved the way for other female
taarab singers, including Bi Kidude.

In
turn of Ms.Siti Muharam now animates the life and legacy of her legendary great
grandmother. With support from The Vinyl Factory, Songlines, Pan African Music,
British radio DJs Gilles Peterson and Tom Ravenscroft and ecstatic reviews from
The Guardian, The Financial Times, The Wire and Mojo,
Siti Muharam’s first music release ‘Siti of Unguja’ looks set to be rated among
the Top African music albums of 2020.

Thania Petersen is a multi-disciplinary artist
who uses photography, performance and installation to address the intricacies
and complexities of her identity in contemporary South Africa. Petersen’s
reference points sit largely in Islam and in creating awareness about its religious,
cultural and traditional practices. She attempts to unpack contemporary trends
of Islamophobia through her analysis of the continuing impact of colonialism,
European and American imperialism, and the increasing influence of right-wing
ideologies.

Tryphon Evarist  A musician, composer, traditional dancer, and
teacher from Zanzibar, Tanzania, where he serves as the Artistic Director of
the Dhow Countries Music Academy. Tryphon has mastered a diverse array of
musical instruments, including the accordion, clarinet, qanun, and traditional
drums, with a commitment to preserving African cultural arts.

Either Mr.Thabit Omar Kiringe  A highly respected music educator and one of
the founders of the Dhow Countries Music Academy (DCMA). His contributions to music
education and the preservation of traditional taarab music are widely
celebrated.

The Uwaridi Female Band is a group of talented, passionate,
energetic, and active female musicians. The group combines different types of
instruments, traditional with modern to create the sound of victory, evolution
of women in, aim of preserving Zanzibar culture and fuse with modern themes.
Uwaridi band compose, arrange, create, produce the Sound of New Hope and
Rejoice with their packages, Taarab Asilia, Tarafusion, Kidumbaki, Traditional
ngoma , Gogo music, and Fusion Music.  The
Fundação Bienal de São Paulo thanks its master sponsors: Itaú, Bloomberg,
Bradesco, Petrobras, Instituto Cultural Vale, and Citi.

Fundação Bienal de São Paulo  it was founded in 1962, the Fundação Bienal de
São Paulo is a private, nonprofit institution with no party political or
religious ties, whose actions aim to democratize access to culture and foster
interest in artistic creation. Every two years, the Fundação holds the Bienal
de São Paulo, the largest exhibition of the Southern Hemisphere, and its
traveling exhibitions program in several cities in Brazil and abroad. <o:p></o:p>

The
institution  also
the custodian of two items of Latin American artistic and cultural heritage: a
historical archive of modern and contemporary art that is a standard reference
in Latin America (the Arquivo Histórico Wanda Svevo), and the Ciccillo
Matarazzo Pavilion, the head office of the Fundação, designed by Oscar Niemeyer
and listed as historical heritage. The Fundação Bienal de São Paulo is also
responsible for conceiving and producing Brazil’s representations at the Venice
Biennales of art and architecture, a prerogative bestowed upon it decades ago
by the Federal Government in recognition of the excellence of its contributions
to Brazilian culture.

The
Dhow Countries Music Academy Zanzibar (DCMA) is a non-profit, educational, and
cultural organization registered in March 2001. DCMA opened Zanzibar’s first
music school in September 2002 providing music lessons as well as instruments
at minimal cost to anyone interested in studying music related to their
cultural background or acquiring mastery of an instrument. Special emphasis has
been placed on teaching traditional musical instruments and styles such as
Taarab, Beni, and Kidumbak. The overall aim of DCMA is to preserve and promote
the musical heritage of Zanzibar and the Dhow region.<o:p></o:p>

The Taarab music and improvisation take stage in the 36th Bienal de São Paulo Invocation in Zanzibar

The 36th Bienal de São Paulo continues its global journey with its third Invocation , titled Mawali–Taqsim: Improvisation as a Space and...